Jan Polack
Jan Polack Johannes Po(l)lack (Hanns Polagk, Polegk), (Latin: Ioannes Polonus) (between 1435 and 1450 (possibly in Krakew) - 1519 in Munich) was a 15th-century painter. From his nickname it is assumed that he might have worked in Krakew. From the mid-1470s on, he lived and worked in Munich, having previously been in Franconia. He may have taken part in the 1475 festival of the Landshut Wedding of Jadwiga Jagiellon and George of Bavaria. In 1480 he opened his own shop in Munich. Starting in 1482 he is listed on the tax records of Munich, also as leader of the local painter guild. He visited with Michael Wohlgemuth and his art was influenced by him and by that of Veit Stoss and Hans Pleydenwurff as well as by collaboration with the woodcutter Erasmus Grasser. Documents mention many works of his which are now lost. His most important remaining work is the Weihenstephan altarpiece (1483 - 1485), now at the Alte Pinakothek in Munich.
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Jan Polack Portrait of a Benedictine Monk oil painting


Portrait of a Benedictine Monk
1484(1484) Medium oil on panel Dimensions Height: 57 cm (22.4 in). Width: 41 cm (16.1 in).
Painting ID::  98349 		Jan Polack
Portrait of a Benedictine Monk
1484(1484) Medium oil on panel Dimensions Height: 57 cm (22.4 in). Width: 41 cm (16.1 in).
   
   
     
Jan Polack Gnadenstuhl oil painting


Gnadenstuhl
ca. 200 x 155 cm 1491(1491)
Painting ID::  98350 		Jan Polack
Gnadenstuhl
ca. 200 x 155 cm 1491(1491)
   
   
     
Jan Polack Painting of Saint Corbinian oil painting


Painting of Saint Corbinian
1489
Painting ID::  98351 		Jan Polack
Painting of Saint Corbinian
1489
   
   
     
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     Jan Polack
     Jan Polack Johannes Po(l)lack (Hanns Polagk, Polegk), (Latin: Ioannes Polonus) (between 1435 and 1450 (possibly in Krakew) - 1519 in Munich) was a 15th-century painter. From his nickname it is assumed that he might have worked in Krakew. From the mid-1470s on, he lived and worked in Munich, having previously been in Franconia. He may have taken part in the 1475 festival of the Landshut Wedding of Jadwiga Jagiellon and George of Bavaria. In 1480 he opened his own shop in Munich. Starting in 1482 he is listed on the tax records of Munich, also as leader of the local painter guild. He visited with Michael Wohlgemuth and his art was influenced by him and by that of Veit Stoss and Hans Pleydenwurff as well as by collaboration with the woodcutter Erasmus Grasser. Documents mention many works of his which are now lost. His most important remaining work is the Weihenstephan altarpiece (1483 - 1485), now at the Alte Pinakothek in Munich.

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